A question that has (also) occupied the organ builders was: What to do with the remaining housing fragments?

One thing was clear: the housing parts had to be used in the new instrument. 
Furthermore, it is also a matter of concern for Orgelbau Schulte that an organ shows on the outside, what it contains within.

Oliver Schulte looked for the symbiosis; neo-Gothic parts should face modern elements, having equal rights, but stylistically clearly separated from each other.